Jo Melvin
Double exposure: ’pataphysics and the Rural in Barry Flanagan’s Sculptural Practice
Double exposure: ’pataphysics and the Rural in Barry Flanagan’s Sculptural Practice
Barry Flanagan, still from 'Sand girl', 1970, super 8mm, colour, 17 mins.
(The Estate of Barry Flanagan) .
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Barry Flanagan, Museum Haus Lange, Krefeld, 1969 (The Estate of Barry Flanagan).
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Jo Melvin is a
curator and writer, Reader in Archives and Special Collections at Chelsea
College of Arts, UAL, London
and during 2015-16 senior research fellow at the Henry Moore Institute Leeds. Recent
projects include ‘Animal, Vegetable Mineral’ Waddington Custot Gallery, 2016,
Feb-May 2016, ‘Christine Kozlov:
Information No Theory’ at the Henry Moore Institute, Leeds Dec 2015 -Feb 2016, ‘Five
Issues of Studio International’ Raven Row, London, 2015, ‘Palindromes: Barry
Flanagan and John Latham’ at Flat Time House, London 2015, and ‘The Xerox Book’
Paula Cooper Gallery New York, 2015. Recent catalogue essays include ‘Seth Siegelaub:
Beyond Conceptualism’ at the Stedijk Museum , Amsterdam and ‘British
Art and Conceptualism 1966-1979’ Tate Britain . She is currently working
on a monograph on Noel Forster, The Seth
Siegelaub Source Book, published by König late 2016 and working on the
catalogue raisonné of the sculptor Barry Flanagan to be published by Modern Art
Press in 2018.
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